Cargo I deals with the container as an uncanny iconography of capitalism. It’s shape isn’t based on the content it contains but on standard dimensions that make it compatible for various means of transport. The exterior is indifferent to it’s content. As an everday object we tend to overlook and underestimate it’s often violent physical as well as political meanings. The container chosen for the work Cargo I is by the packaging manufacturer Clip-Lok SimPak. Clip-Lok is a container system that is advertised as a product that can be customized to it’s cargo in various ways, whether it’s UN dangerous goods, automotive parts, weapons or toys.
Part of the work is a transducer inside the container. The input signals to the transducer are differently timed envelopes of a 31,32 Hz frequency. This frequency is believed to cause the release of growth hormones in living organisms. Since the signal has to use the container as a membrane it changes it’s frequency, it’s cargo indeterminable depending on where it’s placed. The container unloads what it contains, but not at the same extent. It’s constantly strained by the cargo of the schumann frequency inside, causing the container to resonate in physical reaction to it’s capacity.
Plywood, Synthetic Material, Steel
Sound 10’ 20’ and 30’ 31,32 Hz Envelopes
81 × 86 × 76 cm
picture credits: heidi pein